As an artist, I define my practice through the concept of the Hyper-contemporary. To me, this term represents art created using digital tools—often experimental in nature—produced under close technological assistance.

This integration is more than just a technical resource; it is an expansion of our capacity to see, perceive, and feel. Technology imbues the work with an infinite dimension, comparable only to the logic of dreams: you see it, you feel it, and you generate the memory, only to return to reality, questioning whether what you experienced was real.

To materialize this vision, my process integrates spatial computing, three-dimensional immersive design, and additive manufacturing. These tools allow me to break the barrier between the intangible and the physical, transforming the artistic experience from something purely visual into the sensation of walking inside a dream filled with limitless possibilities.